I really clicked with Andy and I really clicked with Becky. I was first attracted by the people who were involved, obviously. And one day, I had 10 voicemails and a bunch of emails and texts being like, “You got this movie! Are you alive? Where are you?” It was really thrilling.Ĭhristopher Willard Tell me what in particular you loved about this role and the way your character was written. I never looked at my phone and I checked it once every five days to make sure that everyone in my family was happy and alive. And then I was on a trip in Africa with my best friend and we had no Internet. Months and months and months passed, and I would check in on it every now and then, and I sort of had to let it go. I assumed that they had gone to someone very fancy. I told them I would love to, I would be so interested … and then I never heard anything. A couple of days later, they emailed me the script and asked if I'd be interested, and I read it and flipped out for it. We talked about every single subject under the sun, and I left there sort of feeling like, What a blast, what a great group of people. It was supposed to be a half hour and it turned into three hours. It was just sort of a, "Hi, here's where I'm from," sorta thing. So I met with them to see if we were interested in possibly collaborating with each other, either with me writing something or acting in something. And Tim Robinson's, I Think You Should Leave … That show is unreal. She was working with Party Over Here-that's who produces Pen15, which is an incredible show. I was called in to have a general with our fantastic producer, Becky Sloviter. I knew Andy and was always a huge fan of his. Tell me a bit about how the part of Sarah came to you. Recently, the actress sat down with to discuss the existential comedy (she prefers this description over "rom-com"), the problematic love stories of our youth, and why she’ll never ever share her personal opinions on that ending. It’s a film ripe for fan theories, which seem as infinite in number as the days in their alternate universe. And not just because viewers can relate to the monotony of life in the time of quarantine and lockdowns-where every day feels the same for many-but because it explores what it means to be forced to sit with your flaws. (Because, hot tip, you can’t die in a time loop!) But as the days go on (and on) and their relationship develops, it’s clear that the film’s message is about something much more relevant.
Between Samberg and Milioti, hilarity ensues, of course: there’s a dance montage, a chaotic hook-up, and a slew of ridiculous death scenes. So begins life with Nyles in this infinite time loop, where every “new” day reveals more about Sarah and her past.
After an ill-fated evening walk into a beckoning desert cave, Sarah wakes up only to realize … it’s still the morning of her sister’s wedding. Milioti plays Sarah, the no-bullshit, wine-drinking thirty-something (in another world, she’s your new best friend) who meets Nyles (Andy Samberg) at her younger sister’s wedding. This month, it’s back to film for Milioti in the delightful, time-bending Palm Springs, streaming now on Hulu. Of course, she never entirely left the stage behind: In 2015 she starred in David Bowie’s bizarrely sensational off-Broadway musical, Lazarus.
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Over the past ten years, her craft transcended mediums, as she landed roles in The Sopranos, FX’s TV adaptation of Fargo, and Martin Scorsese’s The Wolf of Wall Street. A theater kid to her core (and not just because she’s a regular at Marie’s Crisis in the Village when living in New York), she broke out nearly a decade ago starring in the Broadway musical, Once.
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